Happy holidays, listeners! Every year, we take on an unconventional Christmas movie around the Yuletide season, and this time we (along with returning guest Mark Soloff of Blastropodcast) dip back to investigate Tim Burton's deeply strange, fascinatingly weird superhero flick Batman Returns!
After Burton's first Batman revitalized the superhero movie as a pop culture phenomenon, he decided to get real strange with it in Batman Returns. Ostensibly, the film features a pitched battle between the Caped Crusader (Michael Keaton) and his arch-nemeses, the Penguin (Danny DeVito) and Catwoman (Michelle Pfeiffer); but it manifests itself in a strange story about mayoral races, masquerade balls and fake news campaigns to discredit Batman. The most dastardly plan anyone has in the film is Trumpian billionaire Max Schreck (Christopher Walken), who schemes to, like... build a power plant?
None of the plot dressing matters, though, since the film itself is a dazzling display of Burton's biggest idiosyncrasies - pale outcasts with mountains of guyliner, Gothic cityscapes, and mountains of quirky Danny Elfman scoring. This is the least Batman-y Batman film to date (and we should know), which might well be the biggest point in its favor.
Anyway, listen to us debate the film's finer, freakier points, along with our custom drinking game!
(Thanks to our sponsor Safehouse Chicago as part of the Chicago Podcast Coop!)
Every year, the Alcohollywood podcast takes the week before Christmas to celebrate the life and works of Sir Harry Connick Jr. - actor, musician, Renaissance Man.
Harry Connickuh, listeners! For this episode, we take our appreciation for Harry Connick Jr. all the way to the beginning - his breakout film debut in the 1990 WWII drama Memphis Belle. Connick joins a cavalcade of other young 90s stars (Matthew Modine, Sean Astin, Tate Donovan, Eric Stoltz, Billy Zane and more) as the crew of a B-17 bomber on its last mission before ending its tour of duty.
While director Michael Caton-Jones (Asher) does an admirable job replicating the oo-rah spirit of old WWII pro-US propaganda films, that's also what keeps Memphis Belle from really taking off. It's hard to make a movie all that compelling when you have to keep track of ten similar-looking white dudes with one personality trait, all working as a unit to accomplish a pretty tension-free mission. The claustrophobic action, which mostly takes place inside the cramped bomber of the title, is novel, but it all gets dull after a while. Still, Connick's his laconic, charming self as always, and he even gets a couple songs to sing!
Check out our thoughts on this WWII homage, along with our custom drinking game for the film, here.
(Thanks to our sponsor Jackbox Games as part of the Chicago Podcast Coop!)
We only had time for one episode last month, so we're double-dipping this week by extending 00-vember into 00-cember! We move from Timothy Dalton to Pierce Brosnan with the 1997 007 flick Tomorrow Never Dies!
Sure, Goldeneye revitalized the Bond franchise, introduced a stellar new Bond in Pierce Brosnan, and updated the secret agent to reflect more on his "sexist, misogynist dinosaur" nature. But then Austin Powers came out and made a bunch of money, so 007 had to get goofy again with his next adventure. And goofy he gets, as Tomorrow Never Dies is a quaintly dated spy caper in which James Bond must stop a mincingly evil media mogul (Jonathan Pryce) from starting a war between Britain and China just to soak up all the ratings.
Still, for all its goofiness, it absolutely has its charms - from David Arnold bursting onto the scene with a bombastic score, a couple of great theme songs at both ends of the film, and Michelle Yeoh kicking ass as one of the most capable Bond girls to date.
It's an ugly duckling that Clint loves far too much for his own good. Hear us talk about its pros and cons on the podcast, and check out our drinking game!
(Thanks to our sponsor Jackbox Games as part of the Chicago Podcast Coop!)
As a busy Thanksgiving month winds down, we realized that we haven't talked about a James Bond film for literally 200 episodes. To that end, we decided to get in a little 00-vember action with the severely underappreciated James Bond film The Living Daylights!
The first of Timothy Dalton's two films as 007 (a criminally short tenure), The Living Daylights is one of the most thrilling Bond pictures no one talks about. Sure, the story is a bit muddy and convoluted - a disorienting spy caper involving botched defections, diamonds, opium, arms deals, cellos and two different villains (Joe Don Baker and Jeroen Krabbe)- but Dalton's stripped-down, intense take on the secret agent is a breath of fresh air after 14 years of Roger Moore camp.
The Living Daylights also has some of the most exciting, comparatively grounded action scenes in the franchise, and a cracking final score from John Barry that mixes electronic sounds in an unobtrusive way long before David Arnold came along. This film tends to be one of the unsung children of the Bond franchise, but damnit, we're going to sing its praises till the opium comes home.
Check out our thoughts on the film and its legacy in the Bond franchise, along with our custom drinking rules!
(Thanks to our sponsor Cards Against Humanity as part of the Chicago Podcast Coop!)
Happy Alcohol-loween! We close out our Seven Deadly Sins edition of Horror Octorbor by going old-school for Wrath - the vengeance-filled slasher Friday the 13th!
Sure, this is the one that doesn't have Jason in it - see our Freddy vs. Jason episode for our thoughts on the hockey-mashed butcher - but Mrs. Voorhees (Betsy Palmer) still has some bloody fates in store for the counselors at Camp Crystal Lake. From Kevin Bacon's horny teen to, well, the less-famous fodder around him, Sean S. Cunningham's inaugural effort in the long running franchise serves up plenty of arrow piercings, machete decapitations, and more.
But is it enough? Can we go back to a franchise almost forty years old and see the strengths of a straightforward slasher that was innovative at the time? Or do the kills and stripped-down simplicity seem quaint in today's world of horror pastiches and self-aware tropes? Let's find out - check out our podcast and drinking game!
Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)
Horror Octorbor keeps a-chuggin' along this month, as we continue to break down the seven deadly sins! This week, we take a look at Envy in the context of 1992's erotic psychological thriller Single White Female!
In the vein of other 90s domestic horror films like The Hand that Rocks the Cradle and Unlawful Entry, Single White Female explores the kind of dangers that could happen even in the safety of your home. Here, that's manifested in Hedy (Jennifer Jason Leigh), the mousy new roommate of recently-separated fashion designer Allie (Bridget Fonda). The more time Hedy spends with Allie, though, the more she affects Allie's speech, mannerisms and appearance - right down to making moves on her estranged husband Sam (Steven Weber).
Does she want to be like Allie? Does she want to become Allie? The answers are surprisingly grotesque, and more than a little complicated - rooted in some clumsy, but well-intentioned, queer subtexts and a couple of deliciously arch performances from Fonda and Leigh, directed with a certain lurid sensibility by Barbet Schroeder.
Check out what we thought about this ominous tale of female sexuality and psychological desire, along with our custom drinking game!
(Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)
DRINKING RULES FOR SINGLE WHITE FEMALE:
- Any time you see a red flag (Hedy adopts another Allie-ism)
- Every time you see a scene outside the apartment
- Whenever you see nudity (this is an *erotic* thriller, after all)
FINISH YOUR DRINK WHEN:
Hedy looks into a mirror and says, "I love myself like this."
Join us next week as we conclude our Seven Deadly Sins edition of Horror Octorbor with Greed - best personified by Michael Mann's bat-nuts crazy 1983 film The Keep!
Horror Octorbor keeps on chugging, as we keep exploring the seven deadly sins with our entry for Lust, Species!
This 1995 sexy-alien chiller (courtesy of Dante's Peak and The November Man's Roger Donaldson) features Ghosts of Mars' Natasha Henstridge as Sil, a sultry alien-human hybrid from outer space who escapes Ben Kingsley's government facility to seek out a mate for her alien babies. In hot pursuit is a rag-tag team of scientists (Marg Helgenberger, Alfred Molina), an 'empath' (Forest Whitaker) and a smarmy guy with a gun (Michael Madsen), all with personalities as loud as their clothing.
Species is a hell of a 90s time capsule, from the bulky fashions to the ridiculous character names (Madsen's character is literally called Press Lennox), and the Showtime-ready alien sexuality that was the film's clear draw. The creature design is the most direct translation of Alien designer H.R. Giger's bonkers techno-sexual style, rendered with the expected dated CG and prosthetic effects. It's Andromeda Strain meets Emmanuelle, and we're here for every ridiculous minute.
Take a listen to our thoughts, and check out our drinking game for the film below!
(Thanks to our sponsor Cards Against Humanity, part of the Chicago Podcast Coop!)
Press quips after saving Forest Whitaker's life, "I thought you'd drank your last Long Island Iced Tea there, Dan."
Join us next week as Horror Octorbor chugs along, exploring more of the seven deadly sins with the envy-fueled erotic thriller Single White Female!
Novelist, screenwriter and Pulitzer-nominated playwright Theresa Rebeck is a woman of many hats - the latest of which is the director of the independent ensemble comedy Trouble. A film with modest ambitions but no small amount of charm, its tale of a small-town sibling rivalry is bolstered by tremendous performances from a more-than-qualified cast (Anjelica Huston, Bill Pullman, David Morse, Julia Stiles, Brian D'arcy James, the list goes on).
For this special minisode of the podcast, Clint sat down for a phone interview with Rebeck to talk about the prevailing themes of her works, working with such an overqualified cast, and the intimate appeal of rural America. Take a listen!
(Thanks to our sponsor Overcast, part of the Chicago Podcast Coop!)
(CONTENT WARNING: use of the word 'gypsy')
We explain the full context of its usage in the episode, and its ubiquity in the film itself makes it relatively unavoidable as a term. However, we understand its seriousness as a pejorative to the Romani people, and apologize in advance for anyone who might be offended.)
Seven years in, and Alcohollywood is on its seventh Horror Octorbor! Some Kind of Goblin sets upon us a mission to explore films related to the seven deadly sins, so we're temporarily back to weekly episodes as we try to take this on!
For our first foray into sinful horror films, we dig into the sin of gluttony with 1996's Thinner, a goofy, more than a little racist bit of Stephen King schlock in which an unscrupulous, obese attorney (Robert John Burke) gets cursed by an elderly Romani (Michael Constantine) as punishment for running over his daughter. His curse? To grow "thinner" each day, no matter how much he eats, until his body consumes itself.
It's a wackadoodle premise told with incredible relish by director Tom Holland (the original Fright Night), and the film's latter half is full of fun beats courtesy of Kari Wuhrer and Joe Mantegna. But all of its outsized pulp can't quite overcome its unsympathetic, ugly characters. And, well, the whole "gypsy curse" premise itself doesn't age well (much like the makeup, though it's not like horror master Rob Bottin could anticipate the coming of HD).
Enjoy a heaping helping of our podcast, along with our drinking game for the film!
(Thanks to our sponsor Cards Against Humanity as part of the Chicago Podcast Coop!)
Tadzu Lempke tells Billy to "Die clean, white man from town! Die clean!"
Join us next week as we continue our exploration of the seven deadly sins, moving on to Lust with the sexy-alien movie Species!
Hey, we're back! Clint's wedding and subsequent marriage has kept us busy, but now we're answering some mailbags (however indirectly) with the 2011 DreamWorks picture Puss in Boots!
The Shrek spinoff wisely dispenses with a lot of the obnoxious, dated pop culture references of its parent series, and focuses on the adorably blustering outlaw Puss in Boots (Antonio Banderas) as he embarks on a quest to steal some magic beans from Jack and Jill (Billy Bob Thornton and Amy Sedaris). Along the way, he has to repair a fractured friendship with Humpty Dumpty (Zach Galifianakis) and romance the sultry cat burglar Kitty Softpaws (Salma Hayek). By DreamWorks standards, it's actually... not all that bad?
Check out our custom drinking game and enjoy! (Sorry, no cocktail this time around.)
(Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)
This week, we make a triumphant return to the mailbag, taking a listener request to discuss Paolo Sorrentino's ponderous arthouse quirk-fest This Must Be the Place!
Consequence of Sound film editor Dominick Suzanne-Mayer joins us in this exploration of one of Sean Penn's stranger performances, as a washed-up Robert Smith-type rock star who returns to America to hunt the escaped Nazi who tortured his father during the Holocaust. Like a lot of Sorrentino joints (see also: The Great Beauty), This Must Be the Place dabbles in complicated themes of aging, legacy, and the emptiness of excess and fame - unfortunately, it's saddled in an atonal, sluggish script that doesn't know when to laugh at itself or take itself seriously.
We throw on our red lipstick and Tim Burton wigs to deep dive into this relic of late-aughts navel-gazing indie cinema, so take a listen and check out our custom cocktail and drinking game!
(Thanks to our sponsor Backblaze as part of the Chicago Podcast Coop!)
For this episode, we crashed Hotel Moxy in downtown Chicago for their inaugural Moxy SoundOff Podcast Series, trapping ourselves in a little glass booth for the entertainment of our live audience. Since this live podcast took place in a hotel, and we've already done The Shining, we decided to tackle the second-greatest movie set in a hotel - Dunston Checks In!
This kiddie caper set in an art-deco Manhattan hotel stars Jason Alexander as your classic overworked '90s dad, who must suddenly contend with a jewel-thief orangutan loose in his hotel. Luckily, his adorable kids (including Eric Lloyd from The Santa Clause) have already befriended Dunston, and they set out to stop his former master (Rupert Everett) from... stealing stuff, I think?
To our great shock and horror, we ended up liking Dunston Checks In a lot more than we expected. Come listen to our astonished, modest praise of this slapsticky kid's flick, and check out our custom cocktail and drinking game here!
(Thanks to our sponsor Second City Training Center as part of the Chicago Podcast Coop!)
What does it take to change the essence of a man? This week, we find out (along with regular guest Derek Jarvis) as we dive into Steven Seagal's eco-friendly auteur explosion-fest, On Deadly Ground!
Seagal's sole director credit, On Deadly Ground features He of the Ponytail as oil-fire specialist/secret military badass Forrest Taft, a fixer for evil petroleum exec Michael Jennings (Michael Caine, doing his damndest to sound American) in the Alaskan oil fields. After he uncovers a conspiracy to knowingly allow their new super-rig to blow up just so they can keep the rights to Native American land, Taft teams up with perpetually useless Native representative Masu (Joan Chen) to bludgeon, explode, and gun down every single one of Jennings' mercenaries - you know, for Mother Earth.
On Deadly Ground is suffused with a healthy dose of Steven Seagal earnestness, gross native mysticism, and a hamfisted environmental message that would make Greenpeace execs wrinkle their nose. (Don't forget the incredible non sequitur bar fight that suddenly turns into a treatise on toxic masculinity.)
It's a crazy, crazy ride, so take a listen and check out our custom cocktail and drinking game!
(Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)
Related links:
Nathan Rabin's piece on Steven Seagal's alt-right novel The Way of the Shadow Wolves
Jared's been zapped into another dimension, so Jon Espino of The Young Folks and HollywoodChicago.com joins Clint to investigate the mysteries of Netflix's Super Bowl-marketed sci-fi disaster The Cloverfield Paradox!
A previously-unrelated sci-fi thriller given the J.J. Abrams treatment, The Cloverfield Paradox turns Julius Onah's The God Particle into a confusing, meandering installment of Paramount's favorite clearinghouse for original sci-fi movies!
Here, the crew of the Cloverfield Station (Daniel Bruhl, Gugu Mbatha-Raw, John Ortiz, Chris O'Down, David Oyelowo, Ziyi Zhang, Aksel Hennie) run a Large Hadron Collider in space to solve the world's energy crisis. Once they fire it up, though, they find themselves in another reality with the Earth gone, a mysterious visitor (Elizabeth Debicki) stuck in the wall, and all kinds of crazy dimension-warping shenanigans.
That sounds really cool, right? Unfortunately, it becomes a boring slog of flat characters, confusing technobabble and some arbitrary connections to the rest of the otherwise-solid Cloverfield universe. Still, Clint and Jon soldier on for your pleasure - listen and check out our custom cocktail and drinking game!
(Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)
Danger, Will Robinson! With Netflix's reboot of Lost in Space coming out today, we (along with Lauren Faits, co-host of She-Ra: Progressive of Power) decided to talk about the first time the classic sci-fi show got revamped: the 1998 film Lost in Space!
Reverse-engineering the campy 60s TV show into a four-quadrant CG blockbuster, Lost in Space sees the Space Family Robinson (William Hurt, Mimi Rogers, Heather Graham, Lacey Chabert, Jack Johnson) hurtled into unknown space along with their Robot and cocky pilot Don West (Matt LeBlanc) after traitorous Dr. Smith (Gary Oldman) sabotages the ship. It's got everything you expect from the 90s - shitty techno remixes of the original theme, annoying CG space monkeys and pre-Youtube teen vlogging!
Clint thinks it has its charms (including Oldman, the bubbly, neon-soaked production design and the rousing Western-tinged score by Bruce Broughton); Jared and Lauren are...less than convinced by the hokey script and flat performances.
Does it deserve its status as the film that finally sunk Titanic from its 15-week reign at the box office? Or should we just wait for the Netflix show instead? Find out, along with our custom cocktail and drinking game!
(Thanks to our sponsor Simplecast as part of the Chicago Podcast Coop! Use the promo code CHICAGO to get 50% off your first three months.)
Related links:
Clint's piece on the Netflix reboot of Lost in Space for Consequence of Sound
Somebody once told us to watch the 2001 ensemble road comedy Rat Race - we ain't the sharpest tools in the shed, so we did it (along with our very own all-star, Theo Estes)!
The latest in a long tradition of star-studded broad comedies featuring groups of A-list actors on a wacky cross-country race, like It's A Mad, Mad, Mad, Mad World and Cannonball Run, Rat Race follows a half dozen strangers (including Whoopi Goldberg, Seth Green, Jon Lovitz, Cuba Gooding Jr. and Rowan Atkinson) who are tapped by a wealthy benefactor (John Cleese) to race from Las Vegas to Silver City, New Mexico, where $2 million awaits them. From there, it's a madcap chase to the finish line as they run into murderous taxi drivers, cows on hot-air balloons, and charter buses full of Lucille Ball cosplayers.
Between Smash Mouth cameos, tongue studs and Mr. Bean in a motion picture, Rat Race is early-aughts as hell, but there are a few charms here and there. But hey, you never know if you don't go, and you'll never shine if you don't glow - so listen to our podcast, and check out our custom cocktail and drinking rules below!
(Thanks to our sponsor Backblaze as part of the Chicago Podcast Coop!)
It's Oscar season once again, and like we do every year, we do a deep dive into one of the Best Picture nominees! This time around, Michael Snydel of The Film Stage joins Clint (who's a little stuffy this episode, apologies in advance!) and Jared to talk about Guillermo del Toro's nomination-sweeping fantasy love story The Shape of Water!
Set in a Cold War-era America filtered through del Toro's intricate dark-fantasy lens, The Shape of Water follows Eliza, a lovesick mute girl (Sally Hawkins) who falls for an man-like fish creature (Doug Jones) imprisoned in an American military research facility by the evil Strickland (Michael Shannon). Along with her band of outsiders and misfits, Eliza schemes to break the fishman out of the facility and get him home.
Opinions vary on whether this is one of del Toro's mythic masterpieces or a flawed blend of mish-mashed tones and influences, but it makes for an intriguing discussion all the same. Check out our episode, as well as our custom cocktail and drinking game!
(Thanks to our sponsor Simplecast as part of the Chicago Podcast Coop!)
Happy Valentine's Day, sweethearts! Tighten your straps and practice your safe words, because we're getting kinky with 2015's Fifty Shades of Grey!
The lovely Katie Rife (The AV Club) joins us to discuss Sam Taylor-Johnson's joyless adaptation of EL James' dangerously unsexy Twilight fanfiction novels detailing the dom/sub love affair between clumsy ingenue Anastasia Steele (Dakota Johnson) and brooding baby-billionaire Christian Grey (Jamie Dornan). In between, we discuss issues of kink, consent, the dark underbelly of Christian and Ana's relationship, and the film's troubling absence of dong. Also, some fun Mad Libs of one of the book's steamier segments!
Enjoy our episode, along with our custom cocktail and drinking game below!
(Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)
Related links:
Now that the holidays are over, it's time for the real reason for the season - Connickuh! Every year, we celebrate the life and works of Sir Harry Connick, Jr., he of the golden voice and chiseled jaw.
This year, our old friend Derek Jarvis comes on the show to harken back to the 1940s with the Frankie Muniz boy-and-his-dog movie My Dog Skip!
Based on the memoir by William Morris, My Dog Skip follows young Willie (Frankie Muniz, voiced by Connick as an adult) growing up in the 40s with his adorable Jack Russell Terrier Skip. Along the way, he finds love, becomes a man, and defeats some moonshiners! (?) It's basically Tree of Life with a cute pupper instead of dinosaurs - what's not to love?
Check out our podcast, drinking game and custom cocktail below!
(Thanks to our sponsor Simplecast as part of the Chicago Podcast Coop!)
Merry Christmas and happy holidays, everyone! For this unconventional Yuletide, we bring in our dear friend, actress Alexia Jasmene, to discuss one of Clint's favorite Christmas films - 2015's trans-centric dramedy Tangerine!
Directed by Sean Baker (The Florida Project), Tangerine follows trans sex workers Sin-Dee Rella (Kitana Kiki Rodriguez) and Alexandra (Mya Taylor) on one unseasonably hot Christmas Eve in West Hollywood. Sin-Dee wants revenge on her cheating boyfriend/pimp Chester (James Ransone), while Alexandra just wants the chance to perform at her favorite bar. Meanwhile, an Armenian cab driver (Karren Karagulian) intersects with their wild, crazy day in unexpected ways.
It's a bold, refreshing and wholly original film, both in subject matter and presentation (the whole thing was filmed on an iPhone!), and we think it's well worth some Christmas attention. Take a listen to our episode, and check out our custom cocktail and drinking rules!
(Thanks to our sponsor Backblaze as part of the Chicago Podcast Coop!)
Related links:
We step into the ring this week with Emmanuel Noisette of E-Man's Movie Reviews to talk about Ryan Coogler's hit 2015 boxing drama Creed!
Creed, starring Michael B. Jordan and Sylvester Stallone (in a role that almost won him an acting Oscar - curse you, Mark Rylance!), is one of the most acclaimed and heartfelt sequels of all time. Charting the trajectory of Adonis "Donnie" Creed (Jordan) and his quest to fill his father Apollo's footsteps, Coogler and crew craft an incredibly heartfelt drama that also pairs as one of the best sports movies of the 21st century.
Check out our thoughts on Rocky's relationship to Creed, one-take boxing matches, and the long memories of turtles on the podcast below, along with our custom cocktail and drinking game!
(Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)
Related links:
This week, we strap on our guitars and talk about the forgotten 1980s musical drama Eddie and the Cruisers!
Telling the fictional story of a one-hit wonder band in 1960s New Jersey, Eddie and the Cruisers follows the remaining members of the band (including Tom Berenger) trying to piece together their lives after the untimely death of frontman/visionary Eddie Wilson (Michael Pare).
Equal parts The Day the Music Died, Bruce Springsteen and Jim Morrison, Eddie and the Cruisers is a bafflingly dull music biopic with a few glimmers of inspiration (and an ambitiously soundalike soundtrack courtesy of Springsteen knockoff John Cafferty). Listen to us break down this cult favorite, along with our custom cocktail and drinking game!
(Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)
This week, playwright Dusty Wilson joins us for one of the most poorly-timed movies of all time, 1986's Space Camp!
A Spielberg pastiche that's equal parts E.T., Apollo 13 and Porky's, Space Camp follows a group of teen misfits (including Tate Donovan, Kelly Preston, Lea Thompson and a young Joaquin Phoenix) and their teacher (Kate Capshaw) as they learn the ins and outs of Space Camp. Thanks to some well-intentioned sabotage from a literal-minded robot (JINX, voiced by Frank Welker), the cadets find themselves flung into space, with only their wits - and some helpful Star Wars references - to aid them.
Released six months after the Challenger exploded, Space Camp suffers from some poor timing and even poorer scripting. But are there enough charms to make it watchable? Check out our podcast, along with our custom cocktail and drinking game to find out!
(Thanks to our sponsor Cards Against Humanity as part of the Chicago Podcast Coop!)
This week, Jared and Clint strap on their eyepatches and impractically-sized Uzis for John Carpenter's sci-fi action flick Escape from New York!
When the President (Donald Pleasance) crash-lands on the island prison of Manhattan, only one (inexplicably famous) prisoner can save him - Snake Plissken! Equipped with nothing but his wits and a bomb in his neck that will go off in 24 hours, Snake must survive the trash-filled streets of a dystopian New York City that's just a dumping ground for prisoners.
Between Carpenter's nitty-gritty aesthetic, the synth score, and Russell's stripped-down performance, Escape from New York more than earns its cult reputation. Check out our thoughts, along with our custom cocktail and drinking game!
(Thanks to our sponsor Cards Against Humanity as part of the Chicago Podcast Coop!)
This week, Jared and Clint go it solo after their stint at the Chicago Podcast festival to talk about 1977's psychedelic animated flick Wizards!
Directed by 70s animation guru Ralph Bakshi, Wizards launches you into a classic tale of post-apocalyptic good vs. evil: the diminutive Avatar (voiced by a guy doing a hell of a Peter Falk impression) against his evil brother Bloodwolf for the fate of a bombed-out planet. Throw in some busty faeries, existential burlap robots, and rotoscoped footage from other movies, and you've got a stew going!
It's messy, unfinished, and full of unironic Nazi propaganda footage, but it's definitely a sight to behold. Check out our episode, along with our custom cocktail and drinking game!
(Thanks to our sponsor Swap.com as part of the Chicago Podcast Coop!)