Happy holidays, listeners! Every year, we take on an unconventional Christmas movie around the Yuletide season, and this time we (along with returning guest Mark Soloff of Blastropodcast) dip back to investigate Tim Burton's deeply strange, fascinatingly weird superhero flick Batman Returns!
After Burton's first Batman revitalized the superhero movie as a pop culture phenomenon, he decided to get real strange with it in Batman Returns. Ostensibly, the film features a pitched battle between the Caped Crusader (Michael Keaton) and his arch-nemeses, the Penguin (Danny DeVito) and Catwoman (Michelle Pfeiffer); but it manifests itself in a strange story about mayoral races, masquerade balls and fake news campaigns to discredit Batman. The most dastardly plan anyone has in the film is Trumpian billionaire Max Schreck (Christopher Walken), who schemes to, like... build a power plant?
None of the plot dressing matters, though, since the film itself is a dazzling display of Burton's biggest idiosyncrasies - pale outcasts with mountains of guyliner, Gothic cityscapes, and mountains of quirky Danny Elfman scoring. This is the least Batman-y Batman film to date (and we should know), which might well be the biggest point in its favor.
Anyway, listen to us debate the film's finer, freakier points, along with our custom drinking game!
(Thanks to our sponsor Safehouse Chicago as part of the Chicago Podcast Coop!)
Every year, the Alcohollywood podcast takes the week before Christmas to celebrate the life and works of Sir Harry Connick Jr. - actor, musician, Renaissance Man.
Harry Connickuh, listeners! For this episode, we take our appreciation for Harry Connick Jr. all the way to the beginning - his breakout film debut in the 1990 WWII drama Memphis Belle. Connick joins a cavalcade of other young 90s stars (Matthew Modine, Sean Astin, Tate Donovan, Eric Stoltz, Billy Zane and more) as the crew of a B-17 bomber on its last mission before ending its tour of duty.
While director Michael Caton-Jones (Asher) does an admirable job replicating the oo-rah spirit of old WWII pro-US propaganda films, that's also what keeps Memphis Belle from really taking off. It's hard to make a movie all that compelling when you have to keep track of ten similar-looking white dudes with one personality trait, all working as a unit to accomplish a pretty tension-free mission. The claustrophobic action, which mostly takes place inside the cramped bomber of the title, is novel, but it all gets dull after a while. Still, Connick's his laconic, charming self as always, and he even gets a couple songs to sing!
Check out our thoughts on this WWII homage, along with our custom drinking game for the film, here.
(Thanks to our sponsor Jackbox Games as part of the Chicago Podcast Coop!)
We only had time for one episode last month, so we're double-dipping this week by extending 00-vember into 00-cember! We move from Timothy Dalton to Pierce Brosnan with the 1997 007 flick Tomorrow Never Dies!
Sure, Goldeneye revitalized the Bond franchise, introduced a stellar new Bond in Pierce Brosnan, and updated the secret agent to reflect more on his "sexist, misogynist dinosaur" nature. But then Austin Powers came out and made a bunch of money, so 007 had to get goofy again with his next adventure. And goofy he gets, as Tomorrow Never Dies is a quaintly dated spy caper in which James Bond must stop a mincingly evil media mogul (Jonathan Pryce) from starting a war between Britain and China just to soak up all the ratings.
Still, for all its goofiness, it absolutely has its charms - from David Arnold bursting onto the scene with a bombastic score, a couple of great theme songs at both ends of the film, and Michelle Yeoh kicking ass as one of the most capable Bond girls to date.
It's an ugly duckling that Clint loves far too much for his own good. Hear us talk about its pros and cons on the podcast, and check out our drinking game!
(Thanks to our sponsor Jackbox Games as part of the Chicago Podcast Coop!)