As a busy Thanksgiving month winds down, we realized that we haven't talked about a James Bond film for literally 200 episodes. To that end, we decided to get in a little 00-vember action with the severely underappreciated James Bond film The Living Daylights! 

The first of Timothy Dalton's two films as 007 (a criminally short tenure), The Living Daylights is one of the most thrilling Bond pictures no one talks about. Sure, the story is a bit muddy and convoluted - a disorienting spy caper involving botched defections, diamonds, opium, arms deals, cellos and two different villains (Joe Don Baker and Jeroen Krabbe)- but Dalton's stripped-down, intense take on the secret agent is a breath of fresh air after 14 years of Roger Moore camp. 

The Living Daylights also has some of the most exciting, comparatively grounded action scenes in the franchise, and a cracking final score from John Barry that mixes electronic sounds in an unobtrusive way long before David Arnold came along. This film tends to be one of the unsung children of the Bond franchise, but damnit, we're going to sing its praises till the opium comes home.

Check out our thoughts on the film and its legacy in the Bond franchise, along with our custom drinking rules!

(Thanks to our sponsor Cards Against Humanity as part of the Chicago Podcast Coop!)

As we continue to wrap up our coverage of the Chicago International Film Festival, it's important to take a look at some of the smaller stuff that came out of the fest, especially those set in the city the festival calls home. Gregory Dixon's vibrant, energetic indie coming-of-age dramedy Olympia is a rather fun breath of fresh air - the tale of a conflicted thirtysomething (writer/star McKenzie Chinn) struggling to make ends meet at a dead-end job, dealing with a dying mother in the hospital, and fighting with her boyfriend (Charles Andrew Gardner) about whether Chicago is really the right place for her.

Chinn's script is relaxed and acerbic, the performances are naturalistic and witty, and Dixon's stylized approach captures the verve of Chicago alongside the jazzy, pop-infused score from Josh Coffey and Otto Sharp. (You can read our capsule review from our CIFF dispatches here.)

While at the festival, I got the chance to sit down with Chinn, Dixon and Gardner to talk about the struggles of getting the film made, Chicago as an vital artistic resource, and the importance for women of color to tell their own stories. 

Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)

Howdy, listeners! Today we're saddling up and sucking back some moonshine to an old Western classic, 1969's True Grit! (NOTE: I have used my pun quota for this episode; the rest of this post is safe for consumption).

Along with guest panelist Gavin, Jared and Clint tackle the impertinence of Mattie Ross, a little history of Oklahoma, and the nuances of a John Wayne performance, as they provide their signature drinking rules for this film.